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Gq Get Qualified Australia
Gnowbe has launched $10M in scholarships for beneficiaries to achieve Microing Instructional Design (MID) Level 1 Certification (Value $497) for free.
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The Microing Instructional Design Accreditation Program is designed for educators, trainers and instructional designers who want to increase the value of their training programs for their clients through a new style of writing called Microing Instructional Design. In this program, you will witness it translate into business applications and results.
Join influential experts in shaping learning innovation and the future of education. With the emergence of mobile microing, the new generation of educational design needs the most advanced and creative designers to rethink the text and disrupt the design of the modern era. learn more about MID’s accreditation program and be able to rewrite the history of learning design frameworks developed by experts.
Learn more about the MID ID Program and be able to rewrite the history of Instructional Design (ID) structures with experts.
Due to the growing demand for MID services, you can choose or be assigned to international projects once you achieve Level 2 accreditation.
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In this room you will learn the basics of MID. It enables individuals to replicate real-world experiences through researched technology and design. Estimated duration: 5 hours.
How to implement the art of MID. Turn your content into an effective story to reinforce and engage your audience.
*Accreditation is valid for 12 months Employees have the opportunity to renew membership and continue to be trained while enjoying the benefits of accredited MIDs.
This is a 3-hour training session on how to humanize the digital experience including unique MID tips and tricks, as well as an opportunity to ask any burning questions you may have. keep it! Once you have completed levels 1 and 2, you will receive a link to register your position.
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“I clearly see m-ing opportunities for facilitating the whole life through education, ing, training, capacity building and training through providing, facilitating and participating in microing. At the same time, I am happy to help contribute to the personal development of soft. skills for our new and changing global reality.”
“The MID Master Class was interactive, engaging and progressive. Although it was a three and a half hour class, our facilitator, Jiaf, was able to capture the attention of the participants. I felt very comfortable in the whole atmosphere, in this session We give everyone enough space and time to ask questions.
Overall, I found it to be a very unique experience! A big thanks to the MID team at Gnowbe and also to all my contributors!
“I love Gnowbe – the process of getting the accreditation was both challenging and exciting. I look forward to a career with Gnowbe as an accredited MID freelancer!”
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“Guo Qiang, also affectionately known as GQ, began his MIDA journey by inviting the Institute of Adults, Singapore University of Social Sciences (IAL, SUSS).
As for me, I chose to be confident in my decision to take over Gnowbe’s Mobile Design Identity program. It’s been a quick but enriching journey, from MID to MIDA Masterclass. Finding the rewards of labor can be real – I’ve experienced joy and satisfaction at the end of my mini-programs!”
Identify other elders and provide training to empower others at MID as an institution. Submit your interest in the form to see how you can earn a share of the revenue for each MID course purchased.
Are you ready to digest MORE INTERMEDIATE skills? Good news! We’re launching a new MID package to equip you with new insights into abstraction and take your MID skills to the next level.
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It never stops. As microing champions, we are passionate about constantly improving our knowledge of the latest trends and building MID skills and techniques.
Please note that the MID package will be sold through Gnowbe™ and all accredited participants will receive a special rate as a benefit of being part of the community.
Stay tuned as we share the early bird pricing for one of our favorite packages designed by Angeline Koh, one of the world’s leading Microing instructional designers! This is one of those old magazine articles that we haven’t published in full here before. Probably because I generally have a love/hate relationship with it. Many interesting things were said in the interview, but I feel a strange hostility between Alex and the reporter. The reporter also uses a lot of “big” words that I should have looked up. For some reason, the fashion world only captures and uses all these special photos, where Alex looks very difficult and sad in all of them. I want to emphasize again that there is a clear distinction between a direct quote of what Alex actually said and the wording that the reporter colored or elaborated on. For this reason, all direct quotes from Alex are marked in bold in blue. I only take things that are directly quoted as real facts and I measure the rest with real facts that we have already read or heard from other interviews. This interview was done at the end of January 2011 (around January 29th, when the fashion shoot was over, I suspect). At that time, they were filming the 1:19 episode and the public only saw it until the 1:15 episode of Hawaii Five-0. No season 2 renewal has been confirmed at this time.
Alex O’Loughlin Talking Five-0 Who would have predicted that an ex-professional plumber from Canberra with a CV of flops, scandals and mystery cult hits would be handed the lead role of an American TV show in 2011? Alex O’Loughlin’s ship has finally arrived – complete with machine guns and colorful villains, smart cops and bikini-clad ladies. GQ Style Australia Autumn/Winter 2011 Issue (March 2011) Lyrics: Brendan Shanahan Photography: Robbie Fimmano Styling: Wayne Gross
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About halfway through my interview with actor Alex O’Loughlin, the conversation takes an unexpected turn. He talked about being in your mid-30s, and heading into that scary time when you’re forced to ask yourself – what’s really important to me?
When I share some of my fears with O’Loughlin, he recommends that I read Rilke’s “Letters to a Young Poet.” For a while he extols the virtues of the ancient text before suddenly stopping. “Can I ask you a question?” he said, not giving him time to answer. “Am I going to sound like spit when this interview comes out?”
This search for a true word seems to be out of nowhere. It was offered partly as a joke – another of the actor’s self-deprecating asides that peppered our conversation – and partly as an attempt to refute accusations of pretentiousness. But there is also a part of it that feels true. It’s hard to know exactly how to react. I do my best to convince him (“Not unless you’re a spitfire,” I reply, which gets him laughing) and the interview continues. However, I was left with the feeling that Alex O’Loughlin is a bit of a live wire∗.
At the age of 34, O’Loughlin has long been touted as “Australia’s Next Thing” in Hollywood. With his aquiline∗ features and the kind of off-screen persona Yanks seems to have picked up from Australian actors, it always seemed only a matter of time. Now, almost seven years since his debut in the Australian film Oyster Farmer, and after a series of failures, he may be on the verge of fulfilling the fate many predicted for him.
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O’Loughlin’s entry into the A-list is his starring role in the big-budget remake of the classic TV series Hawaii Five-0. Based only loosely on the original (this version is spelled zero, like Hawaii Five 2.0), the new show sees O’Loughlin play Steve McGarrett, a Navy SEAL who wants to avenge his father’s death as a leader. The multicultural percussion group was given carte blanche by the governor of the island state.
The show is pure schoolboy, suspended entertainment, the kind where beautiful female detectives have fistfights in bikinis and downtown Honolulu sees more explosions than Baghdad.
Since its US premiere last September, Hawaii Five-0 has enjoyed strong ratings, a fact that should be a relief to its creators. Renovating popular shows is a big risk: A series of spectacular leaks has made networks and audiences wary. Surely O’Loughlin couldn’t help feeling the pressure, artistically and commercially?
“It’s really important that if you’re an artist involved in bringing back something like this, you find a way to get away from it. First, there are a lot of fans of the old show and a lot of critics. , who is looking
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